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Portugal
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Fine Art Paper
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10 x 10 in ($40)
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White ($80)
Artist Recognition
Artist featured in a collection
“Space, as frequentation of places rather than a place, stems in effect from a double movement: the traveller’s movement, of course, but also a parallel movement of the landscapes which he catches only in partial glimpses, a series of ‘snapshots’ piled hurriedly into his memory and, literally, recomposed in the account of gives of them, the sequencing of slides in the commentary he imposes on his entourage when he returns. Travel...constructs a fictional relationship between gaze and landscape. And while we use the word ‘space’ to describe the frequentation of places which specifically defines the journey, we should still remember that there are spaces in which the individual feels himself to be a spectator without paying much attention to the spectacle. As if the position of the spectator were the essence of the spectacle, as if basically the spectator in the position of a spectator were his own spectacle. (...) The traveller’s space may thus be the archetype of non-place.” Marc Augé, Non-Places: Introduction to an Anthropology of Supermodernity. 1995
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Portugal
„For many years now, Stefan Osnowski has been concerned with a new approach to wood engravings and has been developing the opportunities inherent to the technique. When preparing the engravings enlarged to the size of an easel painting, he creates a range of tonal values purely through the variation of the width and depth of the carved lines, horizontal and vertical or diagonal, as well as through the alteration of the density of the grid whilst retaining a purely monochrome imagery. His printing technique also deviates from the norm, due to the use of a palm- size glass lens to manually rub the ink onto the paper rather than a printing press, thus preserving the apparent uniqueness of each individual item in a series. Physical contact and hand-crafting is just as much a part of the concept as gathering a theme or selecting a medium.”
Artist featured by Saatchi Art in a collection
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