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Light Train Print

T Paige Dalporto

United States

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About The Artwork

Last night I photographed a work train near the river. So I followed from across the river, taking photos through the trees. I used a long exposure but not too long...hand held. I was hoping to get something. It was an interesting sight the train creeping along, with about 6 cars, and a number of bright lights on each car. . . It looked like a catepillar crawling along. It's eery sound filled the night air...I believe it was lightly raining. I am intrigued by the results. I took only a few photos, that is about 40. At one point, I got out of my car and braced the camera on the hood. Camera movement was a bit of a problem. I only like a certain kind of movement. I was using a zoom lens, 70-300 holding it as still as possible, but sometimes trying panning along with the direction of the train. Eventually, I believe I pretty much settled on not panning. Because I was getting too much up and down movement in the image from the lights. When that happens you get a distorted effect...light shooting up in a line That's not how it looked. I believe there is honesty in my approach. I'm not trying to deliberately make a weird image, or fool someone looking at the photo. I'm just letting the camera do it's job of capturing the image under low light conditions. I gave up long ago trying to fight low light, and movement of the subject, And interesting images started happening. A bit of a mystery, and that's a good thing.

Details & Dimensions

Print:Giclee on Photo Paper

Size:12 W x 8 H x 0.1 D in

Size with Frame:17.25 W x 13.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

https://youtu.be/IyvibLfHnS4 Somewhere between Impressionistic and Surrealism, Composition is important, Detail is important, Contrast is important, Lighting is important. Beauty is important. Freezing the subject is not important. tripod free. holding the camera is important as facilitator. It's been a revelation to me what the camera is capable of. And what the human eyes does not see. So this is visibility. Expanded. (I will say, the shutter speed is slow and the aperture setting is appropriately 22 ish or smaller). Monet and the Impressionists and the Decisive Moment photographs, who tried to capture what they saw when they saw it. I have brought us much closer to this goal. These photographs are made in the field, at the moment I press the shutter button of my camera. They require little more than your basic darkroom work. I started taking pictures when I was 12. Even then I was ahead of my time, taking pictures of my Weimeraner dressed up in sweat pants, seated upon my go-cart, and on the roof my parents house. (The dog was the trusting sort). I also came up with the Ken Burns Effect before Ken Burns, with a video I made and still have. I was a photojournalist in WV for 20 years. In 2007 I began taking these Unique Fine Art Photographs, One day they will rock the art world. Get in now on the ground floor, if you're an investor, or if you just appreciate beautiful, unique fine art photography, or nature, revealed as the human eye has never seen it before, for the very first time in these photographs. If you like, buy one please. Needing that validation. T. Paige

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