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Ukraine
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12 x 6 in ($40)
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The Garden 147х75, acrylic on canvas 2014 The deer symbolizes the creature, which submerges deep inside, into the ground, to wait and gain strength. The third eye of the deer – the symbol of awareness. The red color of the ground is the blood – the life-giving power, primary energy of life, fertile impulse. This power sprouts the seeds and engorges the deer’s horns with blood, preparing him for the transformation and going outside. The painting was exhibited: 20 February – 13 March 2020 – Thin Dreams, personal project, PM Gallery, Lviv, Ukraine 5 – 25 December 2019 – The Light Comes from The Silence, personal project, gallery Bunkermuz, Ternopil, Ukraine 18 – 20 October 2019 – AirGogolFest, Vinnytsya, contemporary art festival, Crystal factory, Ukraine 19 – 24 August 2018 – ІІІ International Paradjanov Festival, art exhibition, Suputnik, Lviv, Ukraine 4 – 18 December 2016 – The Journey for the Inner Light, group exhibition, First Lviv Media Center, Lviv, Ukraine
Print:Giclee on Fine Art Paper
Size:12 W x 6 H x 0.1 D in
Size with Frame:17.25 W x 11.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Ukraine
My name is Olena Kayinska. I'm an artist. I'm happy to do what I love the most. I want to make you happy as well with the help of my paintings. My paintings-dreams take the observers inside, to the subconscious, to the core. Trying to find the inner self, the observer wanders through the imaginary world, fantastic forests, filled with symbolic images and archetypical symbols, inhabited with mysterious creatures, each of which provides a guide to the final destination – our heart. My aim is to make people happier. My paintings show the endlessness of obvious and unobvious relationships in this world with the help of mysterious storylines with the metaphysical sense. Being the guide between the worlds, I mix reality and magic in a genuine meditative form of my witchcraft. Direct ascetism of the flat surfaces, completeness, and persuasiveness of the compositions, seamless statics, graphical coding of the deep sense into the schematic images, order, and rhythm of the painting focus the observer’s attention on what is underneath. I want to return the observers to the pure, sincere, and spontaneous experience of the outer world, which we all had in our childhood. Children observe the world as it is, directly, without thinking. My paintings are childishly simple and straightforward. They help recall the child’s state of trust and safety, the state of interest in the world around, the state of fabulousness and love. As if you are being held in hands and told a fairy tale. When we manage to recall this fundamental state and restore the feeling of trust and pureness, the world starts showing us its magnanimous side. My paintings are portals of returning to the pure child’s state of mind and to the joy of being.
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