Orange 4/6 Print

senses and feelings of my infancy the intense feeling of colors I use red, yellow, blue and white, four acrylic pigments from which I can produce infinite shades and tones. Each painting corresponds to a color, which covers its center. Gradually it changes to its four edges, mixes with the other colors, tones. The other colors emphasizes the central and at the same time makes the object_painting "seem to be secretly illuminated from inside, the light gushing from inside, thus giving an impression of solidity and materiality" (Merleau-Ponty) . Lines and small geometric shapes with bold, contrasting colors, pop up. Some of them have been covered, only one trace of them is left, while others have been highlighted and have become more intense. These act as slits, or holes that break the one-sidedness of the central color of the board, creating movement, rhythm and ultimately interest. Rothko had said that if there is depth in his work, it is in the emotion. I am interested in emotion, because it is overlooked and underestimated in relation to logic in our society. The feeling of lack, of incompleteness, but also of the incomprehensible, of what lets me imagine, motivates me and it's shaped in my work. But at the same time, here, if there is depth, it is in "time". The configuration of the table is done gradually, it evolves in relation to its previous state in the previous time period. What once existed, even if I cover it, cannot cease to have existed. An extra millimeter of volume, a slight change in hue, or brightness, something reveals it. Layer by layer the soil is formed, the trunk of the tree, layer by layer the currents are formed, the flows that shape and change human societies.

Print:Giclee on Fine Art Paper

Size:6 W x 12 H x 0.1 D in

Size with Frame:11.25 W x 17.25 H x 1.2 D in

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.