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Morocco
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Fine Art Paper
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8 x 12 in ($60)
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White ($80)
Exit 2 tout ce que nous laissons derrière, une peinture qui révèle un mur avec une fenêtre en fer forgé, il est resté inachevé, attendant la toiture…en bas une épitaphe provisoire. Ces symboles combinés, sont issus d’un vécu photographié récemment. L’inachevé est un concept propre a toute œuvre humaine parait-il, on quitte sans parvenir aux fins de nos designs. Devant une peinture, au long du processus de sa création, souvent il y a des moments qu’on se pose la question : « Dois-je m’arrêter en ce moment ? », savoir, plutôt « deviner » quand s’arrêter est primordiale comme jugement, que le résultat est pertinent, qu’un geste additionnel s’avère destructif, fatal au langage plastique. Ce jugement relatif est le déclic de cette peinture, quoiqu’elle se diffère d’Exit 1 au niveau des signes, et la représentation visuelle de l’idée, les deux tableaux ont presque la même facture, la peinture en empattement qui domine à côté d’un simple collage d’une copie d’un panneau signalétique indiquant la sortie. Encore une fois, Exit 2 est une expression mélancolique qui questionne notre existence face au non finito, face à la cause première …
Original Created:2023
Subjects:Architecture
Styles:FigurativeContemporary
Mediums:AcrylicSpray PaintPastePaper
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Morocco
Born in the city of Kenitra on 1973, a western city of Morocco.After having received an education in the schools of Tetouan, and a bachelor's degree in Arts at the Moulay Youssef Technical High School in Tangier, he was among the graduats of the very first promotion of the National Institute of Fine Arts of Tetouan on 1997, and given his experience divided between the north and the south of Morocco as a teacher of artistic education and applied arts then, he was able to forge a way of doing things that draws on his experience in everyday life and that of the other, without any materialistic or commercial ulterior motive, or obstinacy in the quest for style that strips the art object of experimentation and creativity, because style is a personal imprint that characterizes the individual inevitably, then his approach wants to be the originality and the authenticity of the visual language and the theme of each work independently of the one that will follow, and if he happens to reproduce an experience, it will be clearly titled according to his classification in relation to to the first .
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