VIEW IN MY ROOM
United Kingdom
Printmaking, Lithograph on Paper
Size: 12.6 W x 8.3 H x 0 D in
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This image is of Longrun Lake in Taunton, Somerset. The image was sketched as a lithograph in-situ and worked on back in the studio. A series of prints were made from the initial plate, exploring ways in which to manipulate the plate to create a more atmospheric image, allowing both chance and intention to play their part in its creation. The image capture the trees, bushes, rushes and lake with a misty look in its execution. *********************************************************************** This image was created through a process known as Aluminium Lithography, developed from the Lithographic process of oil and water resist. These prints are very limited and each are generally unique, being that they are not like stone lithography and off-set printing methods where a few can be pulled. Usually this process allows me to create an Artist Proof for my archive and one or two main prints for exhibition/ sale before the aluminium foil is destroyed, ensuring a very limited amount of these prints in circulation. Sometimes this printing method will allow a couple versions to be pulled from the plate, but each print can change through the gradual degradation of the aluminium surface, leading to a more aquatint form of printmaking.
Printmaking:Lithograph on Paper
Original:One-of-a-kind Artwork
Size:12.6 W x 8.3 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My work currently explores fragility through layering and entropy. It responds to history, memory, the landscape and the human condition. These semi-abstract glimpses are drawn from observation when travelling, gathering images through sketching, photography and my memory. Paintings are layered over time as expressive moments of colour, line, print, masking, text, scrawled marks and memory. These form multi-layered paintings that are sanded back, revealing sections from the previous layers, now interacting with one another as a memorialised glimpsed journey. These journeys are inspired by research I’ve pursued from 2013-16. When attending residencies in Cyprus and Spain, I began re-exploring my relationship with the landscape; local and national histories; mythology; geology; pigments; various visiting cultures, their religions, and entropy. These ideas eventually lead to an interest in the effects of imperialism (2017), slavery (2018), lost generations (2019), the suffragette and civil rights movements (2020—21), other obscured histories and the culturally ignored (2022-present). Many aspects of these intersect and juxtapose with one another within my work, expressing memorial observations of history and landscape. These seek to enable an opportunity to investigate and explore previously obscured histories, through this form of landscape painting. *********************** Adam has travelled around the world delivering workshops and attending residencies in India, Mexico, Spain and Cyprus. His work exists in many collections around the world including Taiwan, Australia, USA, UK, France, Monaco, Italy, Czech Republic, Germany and includes commissioned work for the Malaca Instituto in Malaga and The World Reimagined with the globe titled 'Legacy: Echoes in the Present'. Grose runs a variety of workshops based on painting and printmaking, grounded in drawing skills and observation. He is a committee member of Go Create, an Artist Network member of the Royal West of England Academy in Bristol and a member of Axisweb.
Artist featured by Saatchi Art in a collection
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