VIEW IN MY ROOM
United States
Painting, Acrylic on Wood
Size: 40 W x 50 H x 2 D in
Ships in a Crate
Artist Recognition
Featured in the Catalog
Artist featured in a collection
I worked the abstract background over and over with many layers and then decided on the position of the hummingbird. I pulled the background color into the bird and decided the wide open wing should be a complementary shade of magenta. I added the suggestion of a flower as an afterthought. The beautiful chaos of the background is like the hummingbird itself.
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:40 W x 50 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
My paintings are a celebration of the mystery of nature and the promise and complexity of life that exists in nature. All of my work is about the experience of light and shadow, color and texture, the play between the seen and the unseen, between memory and imagination. I am most inspired by the quiet drama of nature; trees bending toward the light, silent reflections, sunlight breaking through clouds. My visual language has evolved over the years but I seem to have settled on something that combines a love of abstraction with a contemporary realism. The work reflects a personal history; childhood summers spent on Jekyll Island, GA where live oaks drip Spanish moss and marsh meets ocean; countless walks in woods among pines, birches, aspens. As with all things in nature, there is that brief moment that says everything. The bird that suddenly catches my eye through the window, pausing on a branch just long enough for me to get a photograph. The quality of light and shade in a forest, under a tree, or as reflected in water. The flower blooming today that wasn’t blooming yesterday. I work mostly on wood panels, sometimes using brushes and other times palette knives, combining heavy, thickly applied paint with watery washes that drip randomly. This process enables me to capture the spirit of the subject, its wildness. For wildness, as Bill McKibben writes in The End of Nature, stirs the imagination and creates in us "the sense that we are part of something with roots stretching back nearly forever, and branches reaching forward just as far."
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