VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 7.9 W x 10 H x 0.2 D in
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Continuing the series of paintings with a metal military helmet, in this case an American WW2 one. I wanted to portray older people in something only worn in earnest by younger people, there lies the paradox. I have long been interested in the industrial design mantra of ‘Form follows Function’, ably represented by military helmet design. So many national variants but all with the same purpose, to protect young men and women in war. A Rowney Cryla acrylic base coat of burnt orange over the gesso manufacturers finish. Opaque pigments are used to lay down some areas, also acting as undercoating for some subject matter. Subsequent layers of acrylic paint have been applied laced with Liquidex airbrush medium and deionised water as a wash layer. This thin multiple layering of pigment allows for a degree of luminosity, avoiding the usual flat acrylic finish. Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting but has a unifying effect.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:7.9 W x 10 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Born in Gloucester and living and working in Cheltenham UK. I like to work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore your options. I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To recast emotions in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting. I have sold work around the world, to individuals and organisations and have produced award winning public art (usually with a colleague) for various institutions.
Artist featured by Saatchi Art in a collection
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