VIEW IN MY ROOM
United Kingdom
Drawing, Charcoal on Paper
Size: 4.9 W x 8.3 H x 0 D in
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This study of a woman gently looking down was inspired by a Raphael, the Granduca Madonna. I honed in on a detail, her gaze, as I am currently exploring female facial gestures and body poses. Some of my current methods use more tradition materials and techniques, so I enjoy re-visiting art historical matter, especially depictions of women. The drawing was made using charcoal and black chalk on thin off-white archival card. To keep the dense, matt, velvety finish the image was not fixed at all. This is not unusual for traditional charcoal drawings, but means you cannot touch the surface of the drawing as it is very fragile. So that the artwork is easier to transport I have not framed it myself. If you wish to purchase this piece you will need a professional to deal with the framing and I am happy to advise them further, if required.
Drawing:Charcoal on Paper
Original:One-of-a-kind Artwork
Size:4.9 W x 8.3 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Most of my work is about feelings. I use childhood memories, dreams and day-dreams to begin. Sometimes I also work automatically, to bring subconscious thoughts to the surface. My current work uses characters to explore emotions and mark making. I have become interested in positive affirmations and my work has reflected this. My subject matter is often happy or sentimental. Process in painting is important to me. I explore surface, colour and spacial relationships, but not in an over-formal way. Oftentimes, it aids the initial thought and at other times it kind of disrupts it. Most of the time it ends up being about creating something in the space between or around the objects or beings I am painting. In recent years painting has become an increasingly inner process for me. l use traditional methods and materials that slow the process down, so the subject has time to develop, shift and finally take on a life of its own.
Artist featured by Saatchi Art in a collection
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