VIEW IN MY ROOM
There are some these days-carrying with them as much good intention as they can possibly bring to their argument-who would have us believe that we could all, one day, put aside our divides, our human nature, or as they put it, our detrimental human behavior. And , in doing so, finally all don the same garb like those futuristic folks do, in such television classics like, Star Trek. No more races, creeds, religions, a future where we finally come to our senses, forever banishing that root of all evil, money. Using our personal resources, and our technology, collectively, we would serve to nourish our planet, and at the same time, nourish and house everyone and anyone in need of such. To those hopeful I say, "I would so much want to believe in your Utopian dream, because it is mine as well". But then I look around, and my thoughts cannot help but returning to Shakespeare, and in particular, Macbeth. Quickly, I realize how this hope is all folly. We are all, but only actors, unable to break free from our given roles. And we will not be happy, till we run the maze to its inevitable, and tragic end. As the French philosopher, and playwright, Sartre, once put it, there truly is, " No Exit".
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:24 W x 36 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.
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