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Sweden
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Fine Art Paper
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9 x 12 in ($68)
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White ($80)
The Beacon series follows a faceless traveler exploring strange & mysterious places. This is my first attempt to mix techniques, painting & comic book styled illustration. Using acrylics to set up the scene before enhancing details & finishing it off with various markers. Beacon VII: Thunder at the Gate, mixed media on paper.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Sweden
Born 1975 & raised just outside Stockholm, Sweden. Started drawing at an early age using only black crayons, immersing myself in comic books, cartoons & scifi. My influences as an illustrator include Katsuhiro Otomo, Masamune Shirow, Tsutomo Nihei, Buichi Terasawa, Hayao Miyazaki, Guy Davis & Jean-Claude Mezieres. I have a background as a comic book artist & writer, working for 215 Ink, a small press publisher based in Philadelphia & as part of the New York Times bestseller anthology FUBAR. I started painting in 2009 and haven't looked back since. My biggest influences as a painter are Mark Rothko, Jackson Pollock, Anselm Kiefer, Gerhard Richter, Lee Lozano, August Strindberg, Joan Mitchell, Zdzislaw Beksinski, William Turner, John Martin & John William Waterhouse. I prefer to work in the style of abstract expressionism using a rather dark & bleak palette but have started to approach the light as my style & technique continue to evolve. This includes also the adding of more scifi, fantasy & mythical as well as realistic elements into the mix. I usually work on a larger canvas or wood boards but presented here, if not stated otherwise, are my latest works on paper. I found that working on a smaller scale allowed me the freedom & much needed push to evolve as painter. The plan is to eventually transfer this new energy, style & technique to the larger canvas. I rely much on mood & energy when I work, pushing the colores & layers until an image or feeling presents itself. The title usually comes when the painting is done, in the form of just one word or a full sentence based on a gut reaction to the finished work.
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