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LEGNI, 2019. Sculpture

Alessandro Cavallaro

Italy

Sculpture, Burnt Tar on Wood

Size: 5.9 W x 59.1 H x 5.9 D in

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156 Views
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About The Artwork

This triptych of works - composed of three broken beams - looks like a reflection on the consumption of the material by the tar paint, which acts as a combustion element bringing corrosion to the surface of the wood. In this way its nature is profoundly modified, restoring a physicality compromised by the role of the paint. In this sense, work on these woods gives the viewer a material that is profoundly different from the original, where form, color and aroma are compromised in their originality, but acquire a new pictorial and sensorial dimension. A completely new dimension for what is the nature of wood.

Details & Dimensions

Multi-paneled Sculpture:Burnt Tar on Wood

Original:One-of-a-kind Artwork

Size:5.9 W x 59.1 H x 5.9 D in

Number of Pieces:2

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Alessandro Cavallaro is a visual artist born in Turin in 1994. His work varies between installations and three-dimensional works. Fundamental for his path of human and cultural growth, his that he moved to many Italian cities, therefore he had the opportunity to study and deepen the differences that continue to surround him. Cement, iron, wood, glass and tar are his materials; poor and concrete materials that have always captured his interest. A strong geometric-spatial impact and a precise and defined study are the pillars of Cavallaro's research. The love for the edge and for the material heaviness of the form to the works a concrete and brutal breath. Simplicity of forms combined with industrial materials typify the work of the artist. Minimal and conceptual influences joined to brutalist architecture have led the artist to have a precise idea of ​​his artistic expression. In his work emerges silence and concept, the intent of each of his creative paths is by far to emerge from the roots of the material - through, often, its transformations - the intellectual identity of the work itself. Cavallaro's research takes as its starting point the space that surrounds it as a place of interaction between individuals and the environment, proposing to investigate the relationship between the materiality of his works and their condition. An alternation of structural analogies and aesthetic differences gives his research verticality and a strong visual impact.

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