VIEW IN MY ROOM
United States
Printmaking, Monotype on Paper
Size: 11.5 W x 11.5 H x 0.1 D in
Ships in a Box
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Showed at the The Other Art Fair
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The circle is such a calm and balanced shape. In Zen Buddhism it represents harmony and tranquility. In times of utter chaos like these, I find myself drawn to making very balanced, neat compositions. It must be my attempt to create calm through order. Our brains love a predictable, repeating pattern. This double exposure cyanotype print was made from weeds —really wildflowers and grasses—found on my walks in the woods near my house in California during the pandemic of 2020. The woods seem to have remained unchanged, unlike everything else in our lives this year. This is a slightly smaller version of my ‘Zen’ round print series. Rather than 14 inches in diameter, it is 11.5 inches in diameter. This 11.5 inch in diameter circular print comes with a slightly larger square 12” x 12“ piece of watercolor paper which you place behind the circular print when framing it. It will fit perfectly with a mat for a 12” x 12” (30 x 30 cm) artwork as the mat opening is always 11.5” x 11.5” (29 x 29 cm)
Printmaking:Monotype on Paper
Original:One-of-a-kind Artwork
Size:11.5 W x 11.5 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City), Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
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Artist featured by Saatchi Art in a collection
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