VIEW IN MY ROOM
Turkey
Printmaking, Screenprinting on Paper
Size: 27.6 W x 39.4 H x 0 D in
Ships in a Tube
Shipping included
This silkmaking represents one individual of the world population. It draws attention to the women and men getting lonely and lonely as the population rises.
Original Created:1993
Subjects:Abstract
Materials:Paper
Styles:Abstract Expressionism
Mediums:Screenprinting
Printmaking:Screenprinting on Paper
Artist Produced Limited Edition of:1
Size:27.6 W x 39.4 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Turkey.
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Turkey
Hello all! My name is Caner Karavit. I was born in Edirne and raised in Ankara. Currently, I live in Istanbul. Journey of my artistic outlook could be periodized in two stages. First, the contemporary art-related performances, paintings and printmakings that I executed with domestic and foreign art groups. This period corresponds to my higher art education at Istanbul Fine Arts Academy. In both group performances and individual works, the influence of the Western contemporary art, that I was provided during my art education, was intense. The themes of my Western-style contemporary art works were contributed by the layers of the cultural geography in which I was raised. Second stage is deeply affected by the Chinese art, on which I had education from 2007 on in China. During the first years of my presence in China, in Tsinghua University that I worked with a scholarship, I studied woodcut which is one of the oldest arts in China. In following years, I did research on Chinese Buddhist art and took lectures from Liu Hanshi who is a renowned Chinese painting master. These works and studies of mine rendered me with a comparison between the Western and Eastern art, and a synthesis of them both. Studying both of the artistic waves, not only I observed the differences in use of materials but also the differences in mindsets, with their artistic elements and installations. Accordingly, my studies in China changed my perspective towards the composition. The Chinese philosophy of time and space that influenced Chinese art, in turn predominantly influenced the abovementioned change in my understanding of composition. In this context, focusing on element of line, I reflect the places inversed to convert Chinese concept of time into space.
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