VIEW IN MY ROOM
Russia
Photography, Color on Paper
Size: 32.7 W x 32.7 H x 0 D in
Ships in a Tube
Artist Recognition
Artist featured in a collection
Deep in memories everyone has a recollection of the favorite children toys. These flashbacks can be vivid or dull due to the times. Teddy bears, bunnies, dolls usually don’t move into new houses with their masters, they are not the part of the bright future anymore. At best they will be waiting for us at the parents’ homes. This phenomenon of oblivion looks much alike to disease of accidental betrayal, which a child makes hypnotized by a grown up’s mind voice. Getting older and more pragmatic, we don’t remember those who filled us with quiet and unconditional love, cured and calmed us down, gave us confidence in tomorrow. What happened to our childhood and what is going to happen with us, when we will become someone’s childhood? Can we take a look in the retrospect of time? And what are the consequences of forgotten children’s tragedies and dramas in adulthood? The reflections of the complex mirror can help us explain cause-and-effect relationship of the present. This mirror breaks the space into chaotic geometrical figures and presents the realizing of the essence of the “Doll Gallery” characters. Cubic mirror image as a time and space paradigm lets us reading the psychological profile through the faraway childhood, to feel and understand the regularities of the absolute.
Photography:Color on Paper
Artist Produced Limited Edition of:12
Size:32.7 W x 32.7 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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I have been engaged in photography for many years and I have been drawing since an unconscious age, so the color has become an emotional language of awareness of the real and intangible worlds for me, and photography has allowed me to create stories, in which I put subjective meaning into the object world. I usually use acrylic while painting on boards of different sizes. I use video if I want to give a static picture the energy of drama. I often use mirrors in my works because of their polyvalence and ambiguity. The combination of these media allows me to reflect as accurately as possible on the problems of the modern world. A new theme often encourages me to master new styles and techniques, invent a suitable tool for accurate visualization of the conceived. Using of author's complex mirrors (I cut them by myself, compose and make photos through their reflections) makes it possible to interact with the viewer asking him "Who are you here and now?". The fragmentation is the visual key that unites my works. The role of the fragment more often than not plays a mirror, or rather a reflection. The main subject of my research is stereotyped and conventional thinking. Each my project is a proposal to the viewer to get out of the" zero point of perception" - to replace his own perception and initiative with uncontrolled choice between the existing set of perception and behavior stereotypes. While analyzing each new subject, I examine myself for the presence of stereotyped thinking, and I try to struggle against it. By using combining of different techniques in my works, I construct a mechanism that helps the viewer to reflect on his fears, injuries, experience, mistakes and secret desires.
Artist featured by Saatchi Art in a collection
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