VIEW IN MY ROOM
United States
Photography, Photogram on Paper
Size: 42 W x 34 H x 0.1 D in
Ships in a Tube
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NOTE: Two of these monoprints are simultaneously listed in my ‘Hanging Gardens Diptych,’ so it is not possible to purchase both the triptych and the diptych of the same name (‘Hanging Gardens Diptych’ and ‘Hanging Gardens Triptych’). Nor is it possible to purchase the other individual prints of the same name of ‘Hanging Gardens 1’ or Hanging Gardens 2’. I find that these prints made of the same same vines on the same day work well individually, or in pairs of two, or all three together. Purchasing prints listed as a diptych or triptych means they would arrive together in one package and take considerably less packing time which allows me to lower the price of each unique print. My botanical blueprints or cyanotypes are each one-of-a-kind slow photographs made outdoors using natural sunlight. There is no lens and there is no etched plate or printing press. There can be no identical reprints, even if I reuse the same plant cuttings before they wither, as each composition is unique and carefully hand-laid. These are triple-exposure prints, meaning that the plants were laid in three different locations on the photo-sensitive paper and re-exposed to light, creating the ghostly overlapping images you see. Prints ship together rolled in a large tube.
Photography:Photogram on Paper
Original:One-of-a-kind Artwork
Size:42 W x 34 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City), Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
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Artist featured by Saatchi Art in a collection
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