VIEW IN MY ROOM
United States
Photography, Cyanotype on Paper
Size: 64 W x 33 H x 0.1 D in
Ships in a Tube
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These are two separate square prints each measuring 33 h x 32 inches w . They could each be framed in a 36 x 36" frame. Side by side once framed they will span over 6 feet on a wall. This particular graceful tree is a Chinese Elm (ulmus parvifolia).The long delicate branches packed with tiny leaves hang like those of a willow tree. At 33 x 66 inches, this is the biggest size of cyanotype diptych that I have made. Though these monoprints look like woodcuts or screen prints, they are actually created using a form of photography called a cyanotype also known as a blueprint, photogram or sun print. Every botanical cyanotype I make is unique made using fresh plants and trees laid in that exact composition on the hand-coated light-sensitive paper only once. There is no ink, no printing press and no copper plate or wood block. Exposing and rinsing a sun print this big outdoors — with a sheet of glass even bigger than the paper —is a complicated affair, but one I am going to be exploring further. On 100% cotton acid-free watercolor paper. Ships rolled in a tube. There is no ink, no printing press and no copper plate or wood block. Exposing and rinsing a sun print this big outdoors — with a sheet of glass even bigger than the paper —is a complicated affair, but one I am going to be exploring further. On 100% cotton acid-free watercolor paper. Ships rolled in a tube.
Multi-paneled Photography:Cyanotype on Paper
Original:One-of-a-kind Artwork
Size:64 W x 33 H x 0.1 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
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Artist featured by Saatchi Art in a collection
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