VIEW IN MY ROOM
United States
Painting, Acrylic on Paper
Size: 13.5 W x 16.5 H x 1.3 D in
Ships in a Box
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This is #6 in the MUSICAL GRAFFITI series. In this series, I use my perception of color for musical keys, and shapes for melodies dictate the visual composition. For as long as I can remember, I have always seen yellow/orange while hearing music in the key of B, red for the key of A, and black for the key of E. the composition was derived from snsippeys of melody in my mind while I worked...a very spontaneous approach. The yellow/orange shapes are acrylic on vellum, cut to shape and adhered to the painted substrate with acrylic medium. The painting is saled with 2 coats of matte varnish. It is framed with simple black wood strips that carry the motion of the black shapes to the outside of the painting. It is titled on the back, wired and ready to hang.
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:13.5 W x 16.5 H x 1.3 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Louis is a Philadelphia, PA based artist and musician. "There is the idea of what a painting could be, then there is what happens while making the painting." "In my current work I employ a process driven call & response approach with the aesthetic goal of balancing shifting degrees of chaos and potential through the orchestration of organic and geometric structures. I am inspired by diverse sources: patterns (natural & man-made), sound waves, cycles, waves, frequencies, urban decay, architectural artifacts, geometry, geology, astronomy, tribal & corporate symbols, icons, technology and commercial graphics. By making art, I endeavor to reveal the mystery that is common to them. I am drawn to the history of things; to the possibility of different outcomes based on combinations of planned decisions and random events. I am intrigued with how small, repetitive actions consistently applied over the course of time, create complex systems that are greater than the sum of their parts. My approach is exploratory, reactionary and cathartic. I start with a concept, and follow the cues that the painting process gives me, often using unpredictable means to apply and remove paint, recycling, re-purposing and repositioning. Some decisions are planned, some are not. The result is the consequence of my reactions to previous actions. This process leads to reinvention and discovery, erosion and re assemblage; a play of deliberation and chance." His paintings and commissions are included in many private collections.
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