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Elegance Unveiled Painting

olawuyi oluwole

Nigeria

Painting, Acrylic on Canvas

Size: 48 W x 52 H x 1 D in

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$3,770

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About The Artwork

This impasto acrylic on canvas painting portrays a striking feminine figure with a bold countenance against a dark backdrop. The lady exudes confidence, adorned with a vibrant red-orange scarf gracefully draped over her head, framing her features. Her dark brown skin tone is punctuated by straight stripes adorning her face, creating a compelling contrast against the somber background. Symbolically, "Elegance Unveiled" encapsulates themes of strength, individuality, and the celebration of diversity. The lady's poised expression and the striking scarf symbolize cultural heritage, dignity, and resilience. The straight stripes on her face represent a journey, signifying the unique path she traverses, marked by challenges and triumphs. The dark background serves to emphasize the prominence of the figure, while also evoking a sense of mystery and depth. It symbolizes the complexities of the human experience, urging viewers to look beyond superficial appearances and acknowledge the richness found within each individual's story. "Elegance Unveiled" invites contemplation on the beauty of diversity, cultural heritage, and the inherent strength that emerges from embracing one's identity, regardless of societal norms or standards.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 52 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Olawuyi Oluwole, affectionately known as Wole, is a visionary artist hailing from the vibrant region of Kwara State, Nigeria. Born in 1989, he embarked on his artistic journey at the tender age of 9, setting the stage for a remarkable career defined by his mastery ofthe impasto technique and his adept use of a painting Knife to breathe life into his creations. Wole's early artistic education began at Baptist Primary School, where he was fortunate to be guided and inspired by Mr. Oladele, a mentor who recognized his burgeoning talent. As he progressed to secondary school, his dedication to the craft bore fruit when he clinched the prestigious NYSC award for the best secondary school student in sculpture a testament to his burgeoning talent and burgeoning passion. His unyielding commitment to his artistic pursuits led him to the Kwara State College of Education, where he delved deeper into the world of Fine and Applied Art. Here, he honed his skills and nurtured his creative spirit under the mentorship of seasoned artists and educators. For the past eight years, Wole has dedicated himself wholeheartedly to his art, evolving into a full-time professional studio artist of remarkable repute. His journey has also brought him into the esteemed ranks of the Society of Nigerian Artists (SNA), Abuja Chapter, further solidifying his place within the artistic community and serving as a testament to his dedication to the craft. Throughout his career, Wole has actively participated in numerous art competitions and exhibitions, where his work has consistently captured the hearts and minds of art enthusiasts. His distinctive approach, characterized by the tactile and expressive impasto technique, offers viewers a unique perspective and a profound connection to his creations. Wole's art transcends the boundaries of culture and geography, touching the souls of those who encounter his work. His mastery of the painting knife allows him to convey emotions, stories, and ideas through the dynamic interplay of texture, color, and form. Each stroke of his knife tels a tale, inviting viewers to journey into the rich landscapes of his imagination. With each new creation, Olawuyi Oluwole (Wole) continues to forge a path of artistic excellence, and his story is one of dedication, passion, and boundless creativity. As he navigates the ever-evolving world of contemporary art, he remains a beacon of inspiration for aspiring artists and a revered figure in the world of Nigerian art.

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