VIEW IN MY ROOM
United States
Painting, Enamel on Canvas
Size: 72 W x 40 H x 1.5 D in
Ships in a Crate
Shipping included
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Figurative Fashion Models with Bullfighter. This artwork represents from left to right models Hilary Rhoda & Julia Stegner for Vogue Turkey October 2010 by Cuneyt Akeroglu, the center figure is my interpretation of “kiss of the matador” where Bianca Balti is transformed with a visual optimism into a Spanish goodness by Giampaolo Sgura for vogue Japan march 2012. In front of her the Spanish Matador José María Manzanares captured in a brave and elegant veronica during 2014 season in Pozoblanco. Right behind him Michaela Kocianova by Marcel Gonzalez-Ortiz appears in all red, with a daring pose for Elle Czech October 2009. All of them are crown with a heart placed above the head symbolizing the intimate relationship between the physical and spiritual aspects of the human being. My work is about inclusion, diversity and integration of cultures.. This artwork will ship in a crate, ready to hang. Edges of painting are white and clean. The stretcher is a Masterpiece Elite Heavy Duty B2, 40 x 72 Inches.
Painting:Enamel on Canvas
Original:One-of-a-kind Artwork
Size:72 W x 40 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Yunia Lores was born in Guantánamo, Cuba in 1977. She received her BFA from the Academy of the Fine Arts “El Alba”, in Holguín, Cuba in 1997. Lores’ first solo exhibition was at the Art Center of Holguín, Cuba in 1997. She graduated with “Las Mamas Twist” an Expo-Performance where Lores danced a twist while she watered the viewers with baby powder, conflicting with the piercing paintings hanging on the walls. Lores earned recognition for her performance “Señoritas uvas” (Grape ladies) at the Provincial Art Center of Matanzas, and “Hitler en mi bañera” (Hitler in my bathtube) at the Electa Arenal Gallery in Holguín, Cuba. In 1999 she presented another performance “Las princesas no existen” (princesses do not exist) in the international art event “Las Romerías de Mayo”. Other exhibitions were organized at Contemporary Gallery of Fine Arts, and Gulliver Fibourg Gallery, both in Zurich, Switzerland. She has participated in “National Small Format competitions”, and “Salón de la Ciudad Awards”, among others. In 2001 she immigrated to the United States, where she renewed her artistic activity with a series of paintings titled “Stereotypes” a bold cult to eroticism. She has been part of the 3rd Street Gallery Community Exhibition since 2013 in Philadelphia,PA and the Lancaster Museum of Art Annual Community Art Exhibitions since 2014. The Mulberry Art Studios in Lancaster, PA presented in their North Gallery the most complete retrospective of Lores’s career from 2004 to 2015, “Stereotypes” (May 1st through May 29th, 2015) In 2019 she received a Honorable Mention at the 2nd Open Door Exhibition organized by Lancaster Community Art Association (LCAA) and, In 2021 she win the second prize award at the 59th Annual Art Community Exhibition presented by the Lancaster Museum of Art. She currently lives and works in the United States.
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