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Spain
Mixed Media, Acrylic on Acrylic
Size: 63 W x 47.2 H x 0.8 D in
Ships in a Crate
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Fiction is something that only exists in somebody else's imagination or something that pretends to be real when it's not. That's Doble Cuerpo, an unrecognizable place that looks familiar for it's erase trace, something we know but it's hard to remember. Those features led me to the title Body Double, a nod to one of the most hilarious films by Brian de Palma, a subterfuge of dreams, irrealities and games where the color is primary and the environment is the shape. Enjoy.
Original Created:2024
Subjects:Architecture
Multi-paneled Mixed Media:Acrylic on Acrylic
Original:One-of-a-kind Artwork
Size:63 W x 47.2 H x 0.8 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Santiago Esteban Glez (Madrid, April 10, 1980) is a Spanish filmmaker, producer, and painter. Founder of the production company Creepy Tipi, he has directed music videos for various record labels such as Elefant Records or Gran Derby Records. He has a degree in Audiovisual Communication from the UEM, a Master in Scenography and Costumes for film and theater at the UCM, and Video Editing. He specializes in directing and producing documentaries for television at Lucky Village Media, has been a film and music critic for UEM, and a scriptwriter for Canal Sur. His work has been selected to participate in the Malaga Festival and in the Contemporary section of the Seville Festival, with titles such as “El Bosque Zurdo”, “El cielo en la tierra”, or “El trabajo del espectador”. In recent years, he has worked as a director in the documentaries “Rodar en Andaluz” (I, II, and III). In his career as a painter, he has specialized in digital art printed in large dimensions, a trajectory in which numerous national and international solo exhibitions stand out.
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