VIEW IN MY ROOM
United States
Collage, cyanotype on Wood
Size: 47.5 W x 24 H x 2 D in
Ships in a Box
Artist Recognition
Showed at the The Other Art Fair
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These two square panels could be hung as a vertical diptych one above the other on a narrow wall or side by side. The varying shades of blue and pattern were made by cutting up and reassembling hand-printed botanical cyanotype prints from plants in my own garden.The same exact fern was printed repeatedly in different hues of the same blue by varying the seconds of exposure to light. The finest white lines showing between the blue stripes are the painted white wood panel that they are mounted upon. They are not made of paper. The paper is sealed with a very thin coat of rubbed-on cold wax medium, not a thick layer of hot melted encaustic wax. This matte barely perceptible layer protects the paper against dirt, dust and moisture, but does not have the noticeable thick, shiny, glassy look of an encaustic finish. The 1.5-inch deep sides of the wood panel are painted white, making it ready to go on the wall without framing. There is a hanging wire on the back of both.
Multi-paneled Collage:cyanotype on Wood
Original:One-of-a-kind Artwork
Size:47.5 W x 24 H x 2 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City), Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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