VIEW IN MY ROOM
Hungary
Painting, Acrylic on Wood
Size: 43.3 W x 41.7 H x 1.2 D in
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On ’Looking for my other part’ two-part work the missing female parts suggested to me the fulfillment of the desire for unity. This image has been used in invitation of several exhibitions as an iconic work. Later, I read the history of Skeleton Woman by Clarissa Pinkola Estés, and I felt that the essence of story quite fits my painting, so I gave it later this title. There is a condition of the Lost Paradise where there is a lack of unity. The snake pattern of background refers to this imbalance.
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:43.3 W x 41.7 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Hungary.
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Hungary
"I wanted to break out of 'the grey' with my colours." Experiments with different materials, with the powerfully composed fragmented world of shapes and the strong juxtaposition of colours play a determinative role during the process of my creation. I use mixed techniques in order to find balance by merging them: oil, acrylic and watercolour, texture material or airbrush technique, canvas and wood and I sometimes cut and burn into the fibres. I often divide my paintings: one picture is a compound of two or more pieces. I may even sacrifice my figures occasionally by painting only parts of them to shape a unique composition. This fragmentation can be interpreted by the assistance of the viewer in order to finally put the work together into a whole. Experimenting with different materials, portraying colors in 3D, trying out different substances as surfaces are all parts of my geniune artistic view. The harsh compositions of my paintings are combined with sophisticated stories. Since my university years the research of the body of complex symbols and gestures have become my favourite means of expression and the featured motif of my individual faceless body images. In my paintings I am concerned with the themes of emotions and repressed desires expressed through body movements, with general human situations, relations and the illustrations of various roles just as well as the face as the carrier and projector of complex symbols, which is unique in all people and comprise never-recurring features.
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